videopreview

videopreview

Poster

Poster

Poster

Poster

animation stills

animation stills

Order (Chapter three)

Computeranimation, 9-25 min, 2014

(with additional music by AESTATE)

In production for almost one and a half years, the cycle titled „order“,  which explored different cineastic, acoustic and narrative archetypes, comes to an end in a surreal utopia.

Organic sculptures,  newly created human beings, Android decision-making units and a nuclear catastrophe paint a picture of a discontinuous world.

videopreview

videopreview

Poster

Poster

Poster

Poster

animation still

animation still

Order (Chapter two)

Computeranimation, 7-02 min, 2014

The three channels of „order (chapter two)“ shift between classic landscapes,  science fiction and mythic tales. This chapter seizes the symbols from the first chapter and connects them in a non-linear narrative.

The simultaneousness of the channels represents the entanglement of the different dispositions. They are induced by each other but also confine each other.

videopreview

videopreview

Poster

Poster

Poster

Poster

animation stills

animation stills

Order (Chapter one)

Computeranimation, 5 min, 2013

Four synchronously moving architectural visualisations deliver insight into the entanglement of architecture and utopia and mark the beginning of the „order“ cycle.

The film reveals the microstructure of the series gradually becoming the macroperspective, thereby building an arch between the two counterparts.

videopreview

videopreview

s.c.a. (1), 102×180, c-Print, framed, 2013

s.c.a. (1), 102×180, c-Print, framed, 2013

s.c.a. (2), 102×180, c-Print, framed, 2013

s.c.a. (2), 102×180, c-Print, framed, 2013

animation stills

animation stills

S.C.A.

Computer Animation, 6-45 min, 2012

In his work „Kritik der ästhetischen Urteilskraft“, Immanuel Kant devised the theory that in a human’s ability to evaluate beauty, also lies his fundamental power to deliver a moral (ethical) judgement. s.c.a. perambulates the structure of these ideas and extends or infuses

(contaminates) them with a mythical cultural progression. The animation exemplifies the parallelisation of the kantian principle, which is formulated in hopes of universality and expansion, by overburdening this principle with the instrumentalisation of  cultural ambition.

videopreview

videopreview

building laokoon, 50×60 cm, C-Print, 2013

building laokoon, 50×60 cm, C-Print, 2013

Mr N character part, 50×60 cm, C-Print, 2013

Mr N character part, 50×60 cm, C-Print, 2013

cutie, 50×60 cm, C-Print, 2013

cutie, 50×60 cm, C-Print, 2013

Inventar

Computer Animation, 5.30 min, 2013

„As a means of self-preservation, man claimed the right to aquire potentially unlimited inventories for himself. The universal had given this realm of rights to the children of men.

The progression of his binarity, and the work of his periphery, we may say, are properly his. (…) As soon as the binary is added to the share, it is more than the universal had projected it to be.

videopreview

videopreview

Trailer

Trailer

Wolf, 50×60 cm, C-Print, framed, 2013

Wolf, 50×60 cm, C-Print, framed, 2013

Landschaft, 50×60 cm, C-Print, framed, 2013

Landschaft, 50×60 cm, C-Print, framed, 2013

o.T. (Leviathan)

Computeranimation, 1-47 min, 2012

„Lupus est homo homini, non homo, quom qualis sit non novit“

 

Plautus (250 ~184 bc)

videopreview

videopreview

Teaser

Teaser

Adler, 50×60 cm, C-Print, framed, 2012

Adler, 50×60 cm, C-Print, framed, 2012

animation stills

animation stills

Inner Salt

Computer Animation, 7.35 min, 2011

First of all the title refers to the so-called „zwitterions“, molecules which are notable for having positively as well as negatively charged particles.

The metaperspectives then provide the beholder/observer with a degrading view from below and the simultaneousness of the, to some extent diverging frames/channels provide metaperspectives on the momentum of progress itself.

videopreview

videopreview

animation stills

animation stills

animation stills

animation stills

animation stills

animation stills

Steinfahrt

Computer Animation, 5-48 min, 2010

Gewicht: 4mg, Beschaffenheit: amorph, Grösse: vier mohngrosse Steine, Farbe: ründliche Form, raue Oberfläche, Verhalten beim Zerkleinern: mittelhart, Nachweisbar sind: Calcium ++; Carbonat ++; Phosphat ++; Oxalat +

Beurteilung: Hauptsächlich aus Calcium-Carbonat-Phosphat (Carbonatapatit) bestehender Stein mit Calciumoxalat (Woddelit-Form) als Nebenbestandteil

videopreview

videopreview

animation still

animation still

animation stills

animation stills

animation stills

animation stills

Hpogeum

Computer Animation, 7-16 min, 2009

Wikipedia(Link):

„(…) Ein Hypogäum (lat. hypogeum, gr. hypógeion, von hypo „unter“ und gẽ „Erde“, „das unter der Erde Liegende“) ist ein unterirdischer, durch ein Gewölbe gesicherter Grabbau.

Der Begriff wird vornehmlich für heidnische Anlagen, als Abgrenzung zu den christlich definierten Katakomben verwendet. In der Fachliteratur wird der Ausdruck auch im christlichen Kontext benutzt. Die Zeitspanne reicht von der Steinzeit bis hin zur Römerzeit.(…)“