The different channels and chapters of „order“ shift between
classic landscapes, science fiction scenarios and mythic tales. The
simultaneousness of the channels represents the entanglement of different
dispositions. They are induced by each other but also confine each other.
In production for almost one and a half years, the cycle
titled „order“, which explores different cineastic, acoustic and
narrative archetypes, comes to an end in a surreal utopia.
Organic sculptures, newly created human beings,
Android decision-making units and a nuclear catastrophe paint a picture of a